I have been a fan of Sherman Alexie's for many years, and really wanted to see his directorial debut. FANCYDANCING did not fail to disappoint. The acting was powerful, the writing was strong and the images were beautiful and haunted me for days following my first viewing of the film. Specifically, the character of Mouse from the Spokane reservation of Polatkin's birth, with his beautiful and painful renditions of TEN LITTLE INDIANS and THE STARSPANGLED BANNER chilled me to the bone. Also, the subtle references to culture, literature and humor commonly found in Alexie's writing were done in a way unique to any film I have ever seen. I am so happy to be taking his class at the University of Washington in the Winter. Hope other people have a chance to view this beautiful and unforgettable film.
'Sentiment: Positive 🙂'
I was impressed with "The Business of Fancydancing. " I thought it was very well made, with beautiful cinematography, excellent development of several believable key characters and a sensitive treatment of a tragic but important personal story with profound socal implications. The movie was complemented with a wonderful soundtrack and the juxtaposition of conflicting styles of music that helped to tell this paradoxical story. The ending was particularly poignant and extremely well done. Certain plot subtleties and finely nuanced multi-layered scences were evident during my second viewing. It offered moments of exquisite irony and heartfelt soul-searching. It was an intelligent treatment of the interaction of several layers of delicate personal issues. I was deeply moved by this film.
'Sentiment: Negative ☹️'
I actually agree with the person saying "Don't expect another Smoke Signals." SS in its own way deliberately tried to steer away from issues which might offend white sensibilities. This one doesn't. In fact it confronts them head on. It deals directly with colonialism, misdirected anger against whites, well meaning but clueless white liberals, and other minorities turning on each other. It's final message at the end, "As hopeless as things seem, keep singing," won't satisfy anyone expecting either a Hollywood happy-redemptive ending, or a throw your fist in the air pseudo revolutionary cliché. But it is more honest.